I Want Your Sex
ComedyJul 29, 2026
I Want Your Sex
Details
- Language
- Japanese
- Studio
- Argos films
- TMDb Rating
- 6.6 (736 votes)
- Directed by
- Nagisa Ōshima
- Written by
- Nagisa Ōshima
- Theme
- true crime
- For
- mature cw
Rating · Quality score from voters
TMDb
6.6/10
IMDb
6.6/10
Rotten Tomatoes
84%
Popularity · Search interest now
Rising
14.5
Based on TMDb activity
Starring
Where to watch
Not currently available for streaming or purchase.
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Incoming Editorial TeamVerified
In the Realm of the Senses (愛のコリーダ) is a Japanese drama-romance film produced by Argos Films, releasing September 15, 1976. It dramatizes the real-life story of Sada Abe, whose obsessive sexual relationship with her master ended in destruction.
Trailer
Gallery (21)
Key features
- ·Japanese-language drama and romance film
- ·Based on the true story of Sada Abe
- ·Produced by Argos Films
- ·Available to stream on Criterion Channel
- ·Released September 15, 1976
FAQ
When and where does In the Realm of the Senses release?
In the Realm of the Senses releases on September 15, 1976. It is available for streaming on the Criterion Channel.
Where can I watch In the Realm of the Senses online?
In the Realm of the Senses is available to stream on the Criterion Channel, which specializes in classic and art-house cinema.
What is In the Realm of the Senses about?
The film dramatizes the true story of Sada Abe, a Japanese woman whose affair with her master developed into an obsessive and destructive sexual relationship. The case became one of the most notorious criminal incidents in 1930s Japan.
What genre is In the Realm of the Senses?
The film is categorized as drama and romance. It focuses on an intense, obsessive relationship drawn from a real historical event.
About this release
*In the Realm of the Senses* (Japanese title: 愛のコリーダ, *Ai no korīda*), directed by Nagisa Oshima and produced through a collaboration between Argos Films, Oshima Productions, and the Shibata Organisation, was released on September 15, 1976. It arrives — or rather, arrived and has continued to circulate — as one of the more persistently debated works in postwar Japanese cinema, a film whose reputation precedes it so thoroughly that the work itself can be difficult to see clearly.
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