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Baby Gun is a documentary and fiction hybrid short film set during the Karabash holiday in Prizren, Kosovo. The film releases on August 12, 2026, and explores collective memory, generational trauma, and masculinity in societies shaped by recent conflict.
Baby Gun is scheduled for release on August 12, 2026. It is a short film, so its distribution path — theatrical, festival, or streaming — has not been specified in available data.
The film is set during the Karabash holiday in Prizren, Kosovo, an annual celebration of summer's arrival that has pagan origins. A custom of the holiday involves buying imitation rifles and guns for young boys; the film uses this setting to depict children simulating battlefield combat in a city park, exploring how collective memory, generational trauma, and masculinity are shaped in societies with recent histories of conflict.
Baby Gun is a hybrid of documentary and fiction filmmaking. Thematically, it addresses collective memory, generational trauma, and masculinity within a post-conflict social context.
The film is set in Prizren, Kosovo, during the annual Karabash holiday. The action centers on a city park where children play with imitation weapons as part of the holiday tradition.
Karabash is an annual holiday in Prizren, Kosovo, that celebrates the beginning of summer. It is the subject of cultural discussion due to its pagan origins, and one of its customs involves purchasing imitation rifles and guns for young boys.
Baby Gun is a hybrid documentary and fiction short film scheduled for release on August 12, 2026. The film is set during Karabash, an annual holiday celebrated in Prizren, Kosovo, that marks the beginning of summer and carries roots in pagan tradition. The holiday is a site of cultural debate, in part because of the custom of buying imitation rifles and guns for young boys during the festivities. The film draws on this tradition to construct its central images: children engaging in simulated combat in a city park, their attention fully absorbed in play and isolated from the pressures of adult life around them. By staging the atmosphere of a battlefield within this domestic, celebratory setting, the film examines how collective memory, generational trauma, and notions of masculinity are transmitted in societies marked by recent violence and war.
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