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“Everything I Saw Was Meant for You” is a film seen through the screens of others. Recorded in public spaces, it follows the circulation of sounds and images carried by devices that increasingly frame everyday life. The film takes the logic of the endless feed as its editing structure: an open-ended cinema that reshapes itself, where sonic fragments appear, disappear and reconnect as attention drifts. Each screen leads into another stream that pays out in seconds, then spins again.